ABOUT
AnaMarija Spasenovic is the founder of ART SAM Studio and a visual artist with a degree from the Faculty of Applied Arts in Belgrade, Department of Conservation and Restoration. During her studies, she developed a deep understanding of materials and production processes, which has greatly shaped her artistic approach.
Her work is characterized by a strong sensitivity to color, light, structure, harmony, and line, which she uses as primary tools of visual expression. Through an exploration of materiality and visual dynamics, she combines various media and techniques, drawing from painting, scenography, and other fields of visual art.
Guided by an interest in the relationship between surface and depth, process and gesture, her visual language emerges through layered compositions that blur the boundaries between disciplines. Inspired by nature and everyday surroundings, she weaves details, textures, and lived experience into works that merge painting, photography, and experimentation.
AnaMarija’s multidisciplinary practice reflects her background in conservation and restoration, grounding her art in a profound understanding of materials and processes. Her work blends texture, color, and form into poetic, layered compositions that balance aesthetic and conceptual dimensions.
Her work is characterized by a strong sensitivity to color, light, structure, harmony, and line, which she uses as primary tools of visual expression. Through an exploration of materiality and visual dynamics, she combines various media and techniques, drawing from painting, scenography, and other fields of visual art.
Guided by an interest in the relationship between surface and depth, process and gesture, her visual language emerges through layered compositions that blur the boundaries between disciplines. Inspired by nature and everyday surroundings, she weaves details, textures, and lived experience into works that merge painting, photography, and experimentation.
AnaMarija’s multidisciplinary practice reflects her background in conservation and restoration, grounding her art in a profound understanding of materials and processes. Her work blends texture, color, and form into poetic, layered compositions that balance aesthetic and conceptual dimensions.